Saturday, February 14, 2015
Mr. Turner: Short Commendatoy Note
We just saw more or less all 150' of Mr. Turner ("more or less" because I cop to having missed about 20' in its first third, due to something apparently called "nodding off.") It moves slowly, all in all a mite too slowly, its only weakness; but once you get into its rhythm, especially if you're well rested, and once you get in tune with the initially off-putting, frog-like, croaking unloveliness of Mr. T., you are into, literally, "a heartbreaking work of staggering genius." Once in that rhythm, the movie, like Boyhood--a totally different movie, to be sure--not at all plot driven, simply absorbs you scene by scene, each with its own nuances and complexity, till they build into a whole, into a full representation of a complicated, many sided man, all genius, personally prosaic and warts, of a marvellously depicted society, of the paradoxical relation between man and artist, and, generally, as the best, most unsentimental film representation of an artist, in any of the arts, that I think I've ever seen.
I can't recommend it highly enough.